![]() ![]() As a rule of thumb, never go over the bitrate of the source material, and keep in mind that Youtube suggests a value of 8 for its HD files. ![]() Remember also to keep the bitrate at the right level, the higher you go, the longer it will take. You’ll notice that VBR can be 1 or 2-pass, the 1-pass does analysis and rendering right away, the 2-pass analyzes first and then renders, giving you the best file size, but is noticeably the longer option. The first one is the faster option, Premiere will go with the same bitrate no matters what kind of frame it’s rendering, the latter instead will vary based on the complexity and movement in the frames. Now, why should we check the bitrate? You’ll see that there are two main options, CBR and VBR, Constant Bit Rate and Variable Bit Rate respectively. But I bet many of us do not go down in the details of the codecs, like where is shown the Bitrate, but instead use the preset from the dropdown. You can find it in Blu-rays, our cameras shoot with it, and we usually deliver with it because it gives light files but with decent quality, very good for streaming purposes and in general to send across the web. By default, both native sequence import and H.264 accelerated encoding should be enabled, but it’s always worth checking if that’s the case with your current settings. Furthermore, you can make a queue with a bunch of clips, launch it overnight and get back in the morning to your files rendered and ready for publishing. It is a useful option because it allows having a render going in the background while you continue working in Premiere. The older version uses the Adobe Dynamic Link, but if you have the apps up to date, you can now natively import and open Premiere sequences to do your export. You may have noticed that together with Premiere when you installed it came in a bundle with Adobe Media Encoder, a standalone application you can use to encode sequences from Premiere or to convert files between formats. Premiere Pro CC will be using those settings to create a preview when you hit render for some effects that can’t be rendered on the fly or such, so if you tick the export box to use the previews, Premiere will save time rendering by simply utilizing the existing files. Among all of the available options there, it’s highly recommended to opt for a nice and high-quality codec, something edit-friendly so to not stress too much the CPU. When you create a new sequence (or if you have one already), you can just right-click on it in the bin and go to sequence settings where you’ll notice that there is a dropdown menu for the Preview File Format. So, to ensure you are getting the most out of your editing machine, Jordy Vandput of provides five tips to enhance your export times in Premiere Pro CC. ![]() We all know the feeling when you have to watch that slowly moving line unable to do anything, right?Īnd yes, upgrading your machine can help, but when you deal with a lot of content and you export multiple times a day, any minute you save adds up and at the end of the week you get a lot of time saved that you can use to be more productive, or just for yourself. After the shooting, after the debates with the clients to get the edit ready, after the credits, the graphics, the color correction, and the sound mixing, after everything else, comes that moment, when everything is ready and you have to render your video. ![]()
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